New Yorker’s Brilliant Cover
Yep, I mean it. That’s a brilliant cover The New Yorker magazine has this week. The one showing Barack Obama in Muslim garb and his wife Michelle as a gun-toting black anarchist.
It’s brilliant because it taps into the powerful imagery of satirical comment in a way that the written word alone never can.
It’s brilliant because it’s shot down Republican hopes of slandering, either overtly or covertly, Obama as some kind of Muslim sympathizer, or as soft on the war on terrorism. I can’t imagine John McCain ever going this route himself. But there are uncounted numbers of his right-wing supporters who wouldn’t hesitate to do so. McCain’s comment that the cover is “totally inappropriate” is helpful, under the circumstances.
Obama supporters who are causing a furor — some calling for a boycott of the magazine — should reflect more thoughtfully on the nature of political journalism. But what can you expect in a society drenched in “political correctness”?
As New Yorker editor David Remnick says, “The idea is to attack lies and misconceptions and distortions about the Obamas, and their background and their politics.”
Political strategizing aside, the controversial cover serves as a useful reminder that freedom of expression cannot be curtailed — ever — if democratic societies are to retain their core values. Just as Canada’s Western Standard magazine had every right to publish the Danish cartoons about Mohammed, the New Yorker must be able to present this stunningly original political perspective without facing such extreme verbal abuse.
Of course, people also have the right to say what they think of anything they see or hear, in print or any other media. But let’s all relax a bit. Perhaps James Carville put it best: “I don’t know what the big deal is.”


